Table of Contents
1. Sennheiser AVX Digital Wireless Microphone System
Both the transmitter and receiver of this microphone have been changed with a built-in lithium battery, which significantly saves space and makes the transmitter thinner. Whereas the 2030mAh gives it up to 15 hours of use, the receiver is even smaller, with lithium batteries taking up 1/3.The use of time is 5 hours.
The Sennheiser AVX system has a 120dB dynamic range, 90dB signal-to-noise ratio, and more importantly, the Sennheiser AVX is a digital system, transmitting a 24bit, 48kHz digital signal.
The sensitivity of the Sennheiser AVX system is automatically adjusted, and the system takes steps to ensure the volume and signal-to-noise ratio of the sound, thus giving the user a sufficient dynamic range.
Let’s say it’s like the Camera’s Auto mode, 80% of the time, it does its job, but another 20% of the time, it takes some tweaking measures.
That’s why I’m going to highlight this microphone because it’s a lot easier to use.
2. Rode RodeLink FM Digital Wireless Filmmaker System
The RODE kit provides a receiver, transmitter, and broadcast-grade lavalier microphone, and RODE uses a built-in antenna to reduce the transmission distance slightly. Still, it does not affect the average user at all. 2.4G with encrypted transmission technology ensures the security of the transmission.
There are only three buttons on the top of the receiver, channel adjustment, one-button mute, power switch, power switch button with indicator light, usually green, if either side mute, then it will turn red, can tell the user the current system status very quickly and easily!
The fullness of the microphone sound is excellent, from the sound quality to the handling and the quality of the wireless connection is satisfactory. Still, the high and low frequencies are not particularly satisfying.
The anti-interference ability is relatively stable; the use of the process is not interfered with by other devices, the lifetime can be described as ultra-long standby time, moderately satisfactory.
3. BOYA BY-WM6 UHF Professional Wireless Omnidirectional Lavalier Lapel Microphone System
The BOYA BY-WM6 wireless microphone is a UHF wireless microphone system designed for professional applications such as ENG, EFP, DSLR video. A wireless microphone is a wireless microphone that consists of a transmitter and a receiver.
The receiver and transmitter can only match successfully if the same channel, the regular operation of 48 channels can be switched, strong anti-interference ability, stable signal, intense penetration.
The LINE IN interface on the transmitter is mainly used to connect to external audio devices: e.g., electronic piano. Line out: the audio output interface on the receiver, used mostly to connect DSLRs, video cameras, and other audio devices.
Concealed lavalier microphone in metal for a compact look and smooth frequency response to compliment the transmitter
4. Rode Wireless Go
The transmitter and receiver of the Rode Wireless Go is a 44mm x 45.3mm x 18.5mm square, and to correspond to different radio scenes, Rode has set clips underneath both modules for secure attachment to the user.
While the Rode Wireless Go is still somewhat obscured when placed on a camera with an up-flip screen, the Wireless Go is quite small compared to a device like the UWP-D11. And it’s only 31g, which doesn’t hurt much when it’s mounted on a camera.
The Wireless Go comes with an omnidirectional microphone on the transmitter, allowing users to radio through the wire even when they are not on the mic.
For configuration, the Wireless Go uses the Series III 2.4GHz digital wireless transmission technology, which Rode officially says guarantees transmission quality in Wi-Fi, Bluetooth-intensive activities, and complex environments. The body also supports 3-second fast pairing, and the transmitter and receiver have built-in batteries that can help up to 7 hours of battery life.
5. Audio-Technica AT8024
The AT8024 is a fixed-charge backplane condenser microphone designed for digital SLR and other cameras. The receiver can be set up as mono or mid-side stereo radio, providing the flexibility of high-resolution audio in any environment.
The microphone is powered by an AA Type 5 battery, which offers superior performance at higher sound pressure levels. The red/green LED power indicator at the top of the microphone indicates battery status, the green symbol indicates sufficient power, and the red sign indicates reduced battery power.
The AT8024 stereo/mono camera-mounted microphone provides a simple yet powerful solution for capturing high definition audio, video, and more.
6. Sennheiser EW 112P G4 – A
The EW 112P G4 is a rugged all-in-one wireless system with high flexibility for broadcast-quality sound, excellent sound quality, quick setup, ease of use, reliable wireless transmission, and up to 8 hours of runtime.
When filming a documentary outdoors or interviewing on the red carpet, on a large filming set or in the studio, the EW 112P G4 can capture magical moments as if someone has been planning professionally for years.
7.Rode VMPR VideoMic Pro R
Looking for a versatile device that can be used with camcorders, DSLRs and portable audio recorders and will provide over 70 hours of recording from a 9V battery then you found it in the Rode VMPR VideoMic Pro A. Recording that very important interview or your special day in all its sonic glory is a snapshot with the Rode VideoMic Pro. With the VideoMic Pro, you enjoy broadcast-quality sound through a 3.5mm mini-jack connector that provides output to both left and right channels, reducing background noise to an incredible 14db. Focus on your subject and minimize surrounding audio with a super-cardioid polar pattern.
The Rycote Lyre shock mount system will separate the VideoMic Pro capsule and isolate it from any factors that may cause noise and vibration in your Rode. Thanks to its thermoplastic construction, the Lyre will give you much better acoustic suspension and make it extremely durable. Offering both -10db of PAD level attenuation which is perfect for recording live music concerts or any other loud sound. The + 20db is designed for use with your DSLR camera and will keep noise produced by the camera to a minimum.
To avoid low-end noises such as those from traffic and other sources, you have a selectable 80Hz high-pass filter. The Rode’s controls are easily accessible and are located on the back of the microphone . This is where you’ll find the power, filter, and level controls.
The Rode is very light for portability and weighs only 3 ounces. Using a standard skid mount for when the Rode is attached to the camera also offers a 3/8 “thread that will allow you to easily mount it to a pole. When registering your Rode VMPR VideoMic Pro R to the Rode official website, you get the 10 year warranty offered.
Lightweight and portable, perfect for field journalists. -10db for loud sounds and + 20db specifically for reducing DSLR camera noise. High pass filter and 3.5mm mini-jack to give you a low noise level of 14db. Durable with a shockproof Rycote Lyre mount. Combine it all with 70 hours of recording time and you’ve got some great shotgun mics for DSLRs.
8. Shure VP83F LensHopper microphone mounted on LensHopper camera
The professional’s choice. Reliable, rugged and durable, it offers a host of fantastic features that will ensure your video sounds great. Offering built-in flash recording with recording and playback capabilities using MicroSDHC up to 32GB, it is designed for use with digital SLRs and camcorders. This function can capture WAV files at 24 bit or 45Hz frequency and one button recording allows you to use it easily no matter what environment you are in. The supercardioid / lobar polar pattern delivers natural high definition with full low frequency audio response. The shockproof Rycote Lyre mount isolates it from vibrations and mechanical noise from your camera.
The LensHopper VP83F LensHopper camera-mounted microphone from Shure offers a dedicated headset so you can listen to your audio in real time. Adjustable, in 1db increments up to 60db, user gain. The excellent RF immunity will protect your audio against artifacts from cells and RF devices. It also includes a 3.5mm gold-plated audio cable with a foam windshield. The shoe mount comes standard with a ¼ inch threaded base so you can mount it either on your camera or on a stand. The menu and controls are intuitive and therefore very easy to use. The backlit LCD screen gives you full access to monitor and control your Shure.
View your audio and battery measurements, track your information, headphone volume, gain, high pass filter, and remaining recording time you have available. The five-position joystick lets you control your headphone monitoring, microphone gain and high pass settings, track management, and playback. Add to that the one-touch record button that lets you capture audio quickly in any environment. The 2 AA batteries provide a lifespan of up to 10 hours. Micro SD card is easy and fast. It is ultra-durable with an all-metal contraction.
Offering ten hours of recording time, an intuitive menu to monitor and control your Shure, and a host of features that will keep your audio as clean and clear as possible, the Shure LensHopper VP83F camera-mounted microphone is the professional’s choice. and one of the best shotgun microphones on the market in 2021.
9. TAKSTAR SGC-598 Interview microphone
Are you looking for a good microphone but don’t want to pay a fortune for it, then look no further than TAKSTAR SGC-598. Specially designed for DSLRs and high sensitivity capacitors to ensure the recording quality of these devices with cardioid polar patterns. The heart-shaped single-point pickup will reduce ambient noise. The 10db sensitivity and 200Hz low frequency attenuation ensure the best sound quality from your audio recording. It also offers greater sensitivity at + 10db. Its design is impact resistant.
This design is intended to reduce the mechanical noise of the camera as well as eliminate vibratory noise. It is also designed to protect against electromagnetic interference from cell phones and other devices. It offers a power indicator to make sure you know the status of your battery. It is powered by AA alkaline batteries which provide a lifespan of up to 100 hours. You can also use a windshield to further reduce ambient noise and a user manual.
One of the best and most affordable microphones on the market, the TAKSTAR SGC-598 Interview Microphone gives you everything you need to get the best recordings from your device, whatever the conditions. Features such as a shock resistant design, 10db sensitivity settings and 200Hz low frequency attenuation.
10. Tascam TM-2X Stereo X-Y Microphone for DSLR Cameras
The Tascam TM-2x is compatible with a variety of different cameras, is designed to provide natural sound to accompany your video. Its XY pattern and two microphone capsules to capture both ambient sounds and sounds directly in front of the device. The directional stereo condenser microphone can easily handle up to 120dB SPL, eliminating distortion even in loud environments. The variable-angle structure allows for 180-degree rotation so you can place your mic at the optimum angle for recording. It has a built-in stereo mini-jack.
It can be connected directly to the camera through the camera input jack and can be set to two different levels to let you connect to a variety of different cameras. The built-in low pass filter is designed to eliminate low frequency background noise.
Reduce camera handling and noise with the integrated floating support structure and sound insulation arm. To help you cut down on unwanted noise, you also have a furry windshield for recording outdoors. The hot shoe adapter, which conforms to the ISO / JIS standard, also offers tripod mounting threads for easy attachment to a camera tripod.
Record quality stereo sound no matter what environment you find yourself in with the highly versatile and well-designed style of the TASCAM Shotgun. It is packed with features designed to eliminate unwanted noise and give you clean sound for your video recordings every time, no matter which camera you are using.